Lecturers
STUDENT'S RESEARCH
The project of Natalya Zolotar
Ruth Schloss
Drawing lines between German heritage and Israeli cultural sphere
A case study Natalya Zolotar
The artist Ruth Schloss was born in Nuremberg, Germany and immigrated to Israel in 1937. Immigration from Germany in the 1930s brought with it a new cultural nuance to Palestine-Israel. The “Yekkes” (The German immigrants’ nickname) retained aspects of their former life and their German cultural identity. My research will explore: What are the affinities, the relations, and the influences of Cultural German Heritage on Schloss’s art? How much “Germany and Stuttgart” are in “Israel and Tel-Aviv”, and what can we learn about wandering of the cultural German ideas and heritage and their translation into Israeli cultural sphere?


PHOTOS: The painter and illustrator Ruth Schloss (© All rights reserved to Shalom Bar Tal); Woman Cooking, 1950-1960 (?), Ink on paper, Private collection (© Estate of the artist); Self Portrait, 1990,Acrylic on canvas(© Estate of the artist)
STUDENT'S RESEARCH
The project of Natalya Zolotar
Ruth Schloss
Drawing lines between German heritage and Israeli cultural sphere
A case study Natalya Zolotar
The artist Ruth Schloss was born in Nuremberg, Germany and immigrated to Israel in 1937. Immigration from Germany in the 1930s brought with it a new cultural nuance to Palestine-Israel. The “Yekkes” (The German immigrants’ nickname) retained aspects of their former life and their German cultural identity. My research will explore: What are the affinities, the relations, and the influences of Cultural German Heritage on Schloss’s art? How much “Germany and Stuttgart” are in “Israel and Tel-Aviv”, and what can we learn about wandering of the cultural German ideas and heritage and their translation into Israeli cultural sphere?


PHOTOS: The painter and illustrator Ruth Schloss (© All rights reserved to Shalom Bar Tal); Woman Cooking, 1950-1960 (?), Ink on paper, Private collection (© Estate of the artist); Self Portrait, 1990,Acrylic on canvas(© Estate of the artist)
STUDENT'S RESEARCH
The project of Natalya Zolotar
Ruth Schloss
Drawing lines between German heritage and Israeli cultural sphere
A case study Natalya Zolotar
The artist Ruth Schloss was born in Nuremberg, Germany and immigrated to Israel in 1937. Immigration from Germany in the 1930s brought with it a new cultural nuance to Palestine-Israel. The “Yekkes” (The German immigrants’ nickname) retained aspects of their former life and their German cultural identity. My research will explore: What are the affinities, the relations, and the influences of Cultural German Heritage on Schloss’s art? How much “Germany and Stuttgart” are in “Israel and Tel-Aviv”, and what can we learn about wandering of the cultural German ideas and heritage and their translation into Israeli cultural sphere?


PHOTOS: The painter and illustrator Ruth Schloss (© All rights reserved to Shalom Bar Tal); Woman Cooking, 1950-1960 (?), Ink on paper, Private collection (© Estate of the artist); Self Portrait, 1990,Acrylic on canvas(© Estate of the artist)









STUDENT'S RESEARCH
Young Muslims in Auschwitz.
How memorial projects encourage collective learning in a migration society
in order to create a shared memory
A case study by Sophia Baur
The case study will show different approaches to the question of whether a common memory of Muslims in Germany of the second, third or fourth generation can be developed through collective learning from the past within the framework of a memorial project.
Within the study the significance of a historical site like Auschwitz in educational work needs to be shown. Furthermore, the study questions the meaning of the learning process of young Muslims in going to historical sites and seeing places where German identities destroyed Jewish identities. The study is being elucidated by the memorial project “Young Muslims in Auschwitz”, initiated by Burak Yilmaz, a young pedagogue from Duisburg, who deals with the question of a common memory in a migration society.
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PHOTOS: Concentration Camp Auschwitz, Poland (source: Krzysztof Pluta on Pixabay) / Burak Yilmaz (Screenshot: Christiane Dätsch)